
The Chronicle stops the presses
Play offers new twist on classic story
Students create illustrations for Georgia Ports Authority
Graduate student channels classic horror in thesis film
Alumnus creates mobile gallery
SCAD libraries hold artist’s book competition for students
Griffis discusses development of Arthur legend
Noted author speaks to students
The Green Scene: 'We have a dream'
Personnel File: New staff members join SCAD-Savannah
SCAD hosts regional IDSA conference
Titus Kaphar to speak at SCAD




The Bee Line
Women’s lacrosse sets records in Kennesaw State win
Athlete Feats highlights for Feb. 22
Baseball takes series from St. Thomas
Women’s basketball wraps up second place in Florida Sun
Athletics updates for Feb. 15
Baseball off to best start in program’s history
Big third period leads lacrosse team to victory


|
![]() |
|
|
|
The Arts
|
Painter brings ‘Magic’ to SCAD
“Girl in Red” by Patricio Castilla is on display at Pei Ling Chan through Jan. 15 - Feb. 17. By Hannah Pittard Published: Friday, January 9, 2004 I first heard about the Chilean painter Patricio Castilla two months ago when I was sent a disk of his images and handed a press release communicating the dates of his upcoming exhibition at SCAD, “The Magic of Light.” It was not with any sort of inexplicable premonition or great enthusiasm that I opened the disk and looked at the images. In retrospect, however, it should have been. Since October, I have had a small but choice selection of Castilla’s paintings on a 30-minute rotation as the background on my desktop. While some might argue that the use of a Castilla painting as the background image on a computer corrupts its loveliness and value, I would suggest that my desire to see the artist’s images eight hours a day and my unceasing interest in them after more than three months’ time are indication less of a corruption and proof more of the paintings’ inherent power. The majority of the paintings on display in “The Magic of Light” focus on images of the sea, and many paintings include a lone figure with her back to the viewer, immediately recognizable from one painting to the next for her long black braid. “G.,” as the female figure is called, is said to be Castilla’s companion and source of inspiration. But G.’s presence alone is not responsible for the magic of Castilla’s paintings because in the several pieces from which she is absent the same power exists — whether she has been replaced by a line of sheets as in “Balcony, Sheets” or by a Boston Terrier as in “Beach, Dog.” Castilla worked for many years as a successful director of cinematography for films and documentaries in Chile, Cuba and Europe. In 1996, he decided to devote himself entirely to his passion, painting. He paints with precision and in minute detail, using light as a middling tool to delineate configurations and shadows for a dramatic and lyrical effect. “The Magic of Light” is on display at Pei Ling Chan, 322 Martin Luther King Jr. Blvd., Jan. 15 -- Feb. 17. |
|
|


