
The Chronicle stops the presses
Play offers new twist on classic story
Students create illustrations for Georgia Ports Authority
Graduate student channels classic horror in thesis film
Alumnus creates mobile gallery
SCAD libraries hold artist’s book competition for students
Griffis discusses development of Arthur legend
Noted author speaks to students
The Green Scene: 'We have a dream'
Personnel File: New staff members join SCAD-Savannah
SCAD hosts regional IDSA conference
Titus Kaphar to speak at SCAD




The Bee Line
Women’s lacrosse sets records in Kennesaw State win
Athlete Feats highlights for Feb. 22
Baseball takes series from St. Thomas
Women’s basketball wraps up second place in Florida Sun
Athletics updates for Feb. 15
Baseball off to best start in program’s history
Big third period leads lacrosse team to victory


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The Arts
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Pinnacle keeps it surreal
Simoni Trapsioni’s “Adventure” is on display at Pinnacle Gallery, 320 E. Liberty St., during “Wondrous Reality” Sept. 24 - Nov. 3. By Hannah Pittard Published: Friday, September 19, 2003 Pinnacle Gallery pays homage to Surrealism with a mixed-media exhibition “Wondrous Reality,” on display Sept. 24 - Nov. 3. Although Surrealism began primarily as a radical literary movement in the 1920s, its notoriety stems from the paintings and graphic work surrounding it. Founded by André Breton, Surrealism encouraged traditional and nontraditional imagery and claimed artists such as René Magritte, Man Ray, Jean Arp and Marcel Duchamp as its poster boys. “Wondrous Reality” gives a nod not only to old-school Surrealists with inclusion of lithographs by Salvador Dalí (arguably the single-most well-known artist associated with the movement and known in particular for the process he described as “paranoiac critical”) and Hans Bellmer (known best for his creation of and obsession with life-sized female dolls in the 1930s), but to new-school Surrealists as well with work by SCAD alumni Michael Brown, Kishan Munroe, Chris Scarborough, Eric Standley and Simoni Trapsioni. Like Dalí and Bellmer, Brown, Munroe, Scarborough, Standley and Trapsioni bring their unique interpretation of the movement to the exhibition. Especially striking are Trapsioni’s “Adventure” and Munroe’s “Island Dream.” Both paintings show special consideration of the movement’s history and seem less products of contemporary painting and more the lost efforts of some Dalí peer. The death of Surrealism may be a widely argued topic, but “Wondrous Reality” certainly suggests that the movement is, in one way or another, very much alive. “Wondrous Reality” is on display at Pinnacle Gallery, 320 E. Liberty St., Sept. 24 - Nov. 3. A reception will be held Oct. 3, 5-7 p.m. as part of the Savannah College of Art and Design’s monthly gallery hop. |
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